Writing Rule #1: NEVER Write About Yourself.

So my tutor told me today that you shouldn’t write about yourself too often. Which is fine, but don’t forget that no-one but you can feel the details and subtleties of your emotions like you can. I think you should use these experiences to provide context, gravity and passion into whatever you’re writing. 

Hey Guys,

So in one of my writing lectures today my tutor made the point that we as writers often think that we are also interesting to read about. I think that actually, he is very right to say this because I have fallen into this trap many times. But I think he missed a trick when presenting today; he said nothing about how your own experiences can shape the work you make and how (in my opinion) by transplanting your own emotions into your creative writing, you can create a more emotionally strong and convincing piece than you could of otherwise.

Imagination is a virtue of creative writers. Without this creativity we would not be able to sail to the dark recesses of space, fight dragons with a sword or even, find out what happened to Harry potter in year 9. However, one thing imagination cannot convey convincingly is emotion; to write about a feeling you have not felt would not only be truly challenging but perhaps, also insulting to those who have felt it. There are two easy way to combat this then: Do your research. Like I touched on before, people think that they are the most interesting people ever. This means that if you can get them to open up about something they really care about, they will talk well, and touch upon the details you may missed from a distance. And secondly: Transcript how you have felt about any strong emotion, ever. Most of us have been lucky to avoid the drama of fiction and literature; sure, maybe bad things have happened to us but perhaps we have never been so thoroughly cheated as the protagonist in your favourite novel. I think what we should do in these instances, is to relate our own feelings into the situation and transplant the unique subtitles and features that you may have felt at some point into your writing work. You may even have to ham it up a bit, and that’s fine. But your work is going to be all the more credible if you write honestly and from the heart. That may sound cheesy, but there’s a reason some things are cliché, because often, they are the best way to capture a well made point.

I’m no master writer, I’m a wannabe and I admit that. But what I’m trying to say is don’t omit your own feelings in writing because you want to create a world away from your own. It’s the same idea I touched upon in Writing and it’s Relationship with Music; there are so many sources we can take emotional influence from and for me music is one of the richest resources of all. Personally, I’d love to capture the emotion I hear in music and recreate it on the page. So try and find a source from which you take the most influence, be it music, people or yourself.

Take it easy,

Matt :)

The Balloon

Hey Guys,

So I’m going to reveal another project I’m working on, as you might guess, it’s called ‘The Balloon’. 

So, the reason I didn’t include this project in my blog the other day is because, well, in truth I didn’t have it figured out yet. Now, I feel I do. The Balloon was initially a web-comic idea to follow up my mildly successful first outing into the field: Pancakes and Apples – Diary of a Boy at Sea (Please check it out!). However after a few drafts and working with the idea I just couldn’t get it to work; I felt the project could only work well if the visuals were up to what I imagined, and sadly my drawing is not up to what I see in my head. So I scrapped the project, but it stayed in my mind. Sadly, I don’t feel I can disclose fully what the story actually is, in case this project takes off in the way I hope it does; but I will say this: The Balloon is a story about optimism, and primarily, about looking up.

After a phone call with my (eternally wise) mother, we agreed that the story could work in a children’s book format; I know an illustrator through my part-time job and should I finish drafting the book, I will approach her and ask her to do the illustrations. Right now, I am two pages in and do not know entirely know many pages there will be in total; but it’s something I will continue with and aim to finish by the end of summer. I will keep you guys updated via this blog as I am always excited to start something new!

I’ve attached below two of my first (very rough) first drafts, I am not sure if I will submit them to the artist as they are very crude,  but equally they give away so little that I feel I can post them here without ruining the story!

Man, I’m making this sound like something out of Mission: Impossible!

 But anyway, that’s what I am up to at the moment, for more updates subscribe to this blog, or follow me on twitter.

Take it easy,

Matt  :)

Draft Page 1

Draft Page 2

Writing and it’s Relationship with Music

As a writer, should your primary source of influence always be from other examples of writing?

As an artist you should be able to admit, that music is amazing. It is a lot more self-contained than creative writing (poetry aside) and obviously film. The best thing about music is that it is a representation of emotion, even those dance songs you play on Saturday night. Personally, as someone trying to expand as a writer, I find myself skipping these Top 40 favorites and engaging significantly with classical music performances, movie soundtracks and acoustic soul-sapping encores. It is this music which I find inspires me, more so, in some cases than my favorite pieces of writing; this is an interesting thought, for if you want to write, you have to read right? Well what happens if you’re a writer who listens?

Needless to say, I’m listening to a medley of fantastic songs when writing this, bopping along at times or just pausing, mulling things over in my mind. My connection to music is probably as far from an ‘objective’ relationship as you can get. I care little for the persuit of new talent, I am literally of the disposition that if I hear something I connect with, I will buy it and listen to it endlessly. I mean, I have my fair share of rubbish on my iTunes, but when a song comes up that really makes you stop, that’s when I feel at my most imbalanced, stimulated and ready to write.

Of course, the problem with this approach is that it is incredibly subjective, not only in form but of course in content. Lyrics, melody and the countless other spectrum’s of musical refinement create such a variety of musical output that everyone is going to react a bit differently and in a lot of cases not at all. For instance, a lot of people I know will write with music playing in the background, I mean, I’m doing that right now, but it’s quiet and more or less lyric-less, this helps create an ambiance, a comfortable writing environment and yet this is still my limit. In truth I find music a distraction to objective writing, but the mood it envokes cloaks me thoroughly for a period of writing. It is this resonance that I feel when listening to music that I feel strengthens me as a writer.

I mean, is this a writing technique we should attempt to coin? Cinematic writing perhaps? Of course not, because if you want to convey something specific in tandem with music (and a stark visual image?) you might as well be a screen-write, right? Wrong. Personally whilst a huge fan of cinema, my connection to it is very similar to music, I don’t go to the cinema all the time but when I see something I enjoy, I will exhaust it until I feel I fully understand it and to some extent, can replicate it. Clearly then, I am someone who is forever buried in books right? Wrong again, because this article isn’t about defining myself as a writer, but defining writing as a process that is subjective to the individual. If I told you I loved watching films more than reading books and I wanted to be a writer, you’d scoff; at least I’d hope you would because I mean come on, that’s just stupid. However, if you can balance these mediums of storytelling (yes, music is a form of storytelling) maybe then you can create something original, maybe not.

Your primary influence in your language of writing will be your literary background, that I feel is somewhat unavoidable; however your writing style and written image can be highly influenced by the content you experience; which is where I draw my most significant distinction in this article. Because cinema and music are ‘experienced’, they help create mood, writing helps more to focus the skill of writing and paint this mood for others to understand. Maybe I’m wrong and I just haven’t read the right stuff, but I think if you want to create a detailed creative fiction, don’t just read books, do it all.

At the moment I am experimenting with non-linear narratives, stories that don’t always go in sequence (Like: 1, 2, 3) because I’m experimenting with form and I feel that by creating imbalance in the narrative timeline, you can create better enigmas and you, as the reader have to work harder to deconstruct the narrative. I read somewhere that the harder you work to understand something, the more you respect it, if I find out where that’s from I will credit it at the bottom of the article.

As for now, I feel I didn’t do too badly channeling my thoughts for a bit. Maybe I’m just one of these new-wave pretentious wannabe-different writers; I hope to god I’m not… but I’ve been wrong before. As for now I’m going to break away from my own introspective narrative and relax, because to drown in self-awareness would be a sorry way to go :)

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